I thought it would be nice to post some photos of my Rudy Muck trumpet. It is a 65M Super Six trumpet that I bought last November. And since buying it I have made a few adjustments to it. The real story is that I had some ideas of how to make it play better and lacking the knowledge of how to apply these ideas I managed to break the instrument beyond playability. Since attending a brass instrument repair course with Trevor Head in the summer (link to Trevor’s Website) I have been able to reconstruct and even improve the trumpet. I now use this instrument for the majority of the playing that I do.
Just for you geeks out there: This trumpet has a extra large bore size (0.470″ at the valve section) with a small leadpipe (measuring 0.453″ at the start of the tuning slide) and a conical tuning slide. I would speculate that this is one of the earliest examples of what is now referred to as a step-bore or multi-bore instrument. Rudy Muck may well have been the first trumpet manufacturer to have this idea.
This is one of the later instruments to bear the Rudy Muck name and I believe it could have been constructed in France because of the similarity in appearance to some Buffet Crampon trumpets (including the style of the leadpipe and receiver, the stay on the tuning slide and the engraving).
Update since writing: There was a balanced-model Citation that looked more like a Buffet Crampon than mine, but the similarities are still there.
Rudy Muck is known to have outsourced the construction of some instruments in order to maintain high standards and avoid the pitfalls of mass production. I’ve seen Muck be described as the “Kanstul of his day”, and this goes a long way to explain why various parts of the trumpet resemble various vintage horns but no single instrument in particular. The valve block is (at least externally) quite similar to Olds trumpets and the first valve slide is very much like a NY Bach Stradivarius (pre-thumb hook design).
For more information about Rudy and his trumpets I would recommend visiting www.rudymuck.info. Although this site hasn’t been updated for a while it is still very interesting.
- The first change I made was to remove the stop bars from the tuning slide and 3rd valve-slide. These looked old-fashioned and were completely unnecessary.
- I have swapped the right-hand finger ring for a circular ring, purely for aesthetic reasons! (Well actually I happened also to put it in a place that fitted my hand much better than before)
- When I took the trumpet on my repair course the 3rd valve-slide was in nine pieces. I rebuilt it. Notice that there is now only one brace whereas previously there were two. I have also removed the water key and patched over the hole. In order for the slide to function correctly the two tubes had to be perfectly aligned (It is accurate to 0.01″).
- Also whilst on the course I refitted the stay between the leadpipe and the bell, which had come off in a previous experiment. This really helped to stabilise the sound of the instrument. Although not always the case, it turns out that this trumpet needs it.
- I have replaced the water key on the tuning slide with an Amado water key. For more info about water keys read this interesting blog post that I found.
Thanks for reading! ~iii<o